
evan caminiti - when california falls into the sea - handmade birds - lp - 16$
Caminiti is one half of experimental duo Barn Owl, and has released past recordings through labels such as Thrill Jockey, Three Lobed, Digitalis, Important, Root Strata, and more. Along with Barn Owl, Caminiti is also involved in other respected experimental outfits such as Higuma, Hanging Thief, and Garden Sound."

jon porras - undercurrent - root strata - lp - 15$
"Edition of 500. California Gothic set to the tidal rhythms of the Pacific and tuned into the metabolic pathways of the northwest coast. Porras (Barn Owl/Elm) has scripted a love poem to the mist, a prayer cast in ghostly reflected guitar and deep pools of distortion. The ominous opening of 'Gray Dunes' is a dense and impenetrable murk, a fear that eventually succumbs to distortion but then gives way to an endless open space of delay in its second half. Its trajectory is symbolic of the record as a whole, with many of the darker paths on Undercurrent leading to lush other worlds of delicate beauty, fragile guitar notes that emerge from the sea for a moment or two then fade back into the whole. 'Calm' and 'Lands End' are lovely spots of respite, clear beams of moonlight breaking through the clouds, a shot of light that ushers in the lone funerary come down of closer 'Gaze'."
elm - nemcatacoa - digitalis recordings - cd - 14$
For my money, Barn Owl is the best new band to emerge in the last five years. Their trajectory has been meteoric, progressing musically and conceptually in leaps and bounds. I've been thrilled to be there from the beginning, watching and listening in awe as the duo of Jon Porras and Evan Caminiti have carved out an impressive niche of their own. Heavy doses of guitar savagery and tribal essence have them firmly planted at the top of the mountain. So it makes sense to deconstruct the duo and present each as a solo entity, soaring on their own.
Elm is the name of Porras' solo creations. His music retains the megasonics of Barn Owl, but finds his tutelage deep in the heart of the desert. "Nemcatacoa" is a lonesome, epic journey. Named after one of the deities of his Colombian heritage, his latest full-length (and first large-scale solo release) feels huge and endless. Walls of guitars shatter beneath the weight of the booming percussion blasts that find their way from the caves into the light. An acoustic guitar is mournfully plucked, the beginning of a procession of the dead. "Nemcatacoa" is an album begging for somebody, anybody to find and embrace.
Porras is a master artist. The instrumentation at work here is even more impressive when you consider it's played by a lone soul. Guitars, Rhodes, Harmonium, Trumpet and more echo through the caverns of the ancient Earth. Even though this album is dark and at times bleak, it never overpowers. Traversing similar aural planes as Sunn O))) and Earth, Porras is staking a claim all his own. As his voice wails over blankets of guitars, he never loses sight of the golden life ahead. Incredible.
-digitalis

evan caminiti - psychic mud shrine - digitalis recordings - cd - 14$
For my money, Barn Owl is the best new band to emerge in the last five years. Their trajectory has been meteoric, progressing musically and conceptually in leaps and bounds. I've been thrilled to be there from the beginning, watching and listening in awe as the duo of Jon Porras and Evan Caminiti have carved out an impressive niche of their own. Heavy doses of guitar savagery and tribal essence have them firmly planted at the top of the mountain. So it makes sense to deconstruct the duo and present each as a solo entity, soaring on their own.
In a perfect world, Evan Caminiti would be a guitar god worshipped by hordes of spike-wearing metalheads. Seriously. Caminiti's newest solo offering (and first large-scale release) is a big, smoldering mass of guitar sacrifices. We're deep down in the hollows now. "Psychic Mud Shrine" is epic in every way. Thick, massive walls of lava-flow guitars bow down at an altar of excess. Caminiti creates jagged drones like no other. Distorted guitars sound simultaneously tortured and energized like it's unsure if this hell on earth brings pleasure or pain. It's just so fucking massive. With titles like "Melting Temple/Plumes of Babylon," you know what direction this is heading and it's a train you don't want to miss.
"Psychic Mud Shrine" is a powerful statement from an artist coming into his own. Over the course of four sprawling masterpieces, you'll be entranced and exalted. This album rings out from the deep valleys carved straight to the fucking core.
-digitalis
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